This sounds familiar. It brings a few things to mind.
I can't remember the term that was used, but I remember reading about audible frequencies possibly being affected by inaudible frequencies in ways that are perceptible to humans. So if you have two source files played using the same equipment with one including the inaudible frequencies then they will sound subtly different due to the interaction.
With the 'getting tired' while listening thing, I know just what you mean. Listening to music on a laptop for instance is a mentally draining experience for me. I've heard it explained like this: your brain knows what a piano sounds like and when it hears the poor imitation it is busy 'filling in the blanks'. Listening on good equipment is much more relaxing - as is listening to something that isn't 128kbps.
I don't claim to know that either of the above are true, but to me they are plausible.
I'm also a little sceptical of the 'lossless is no better than good lossy' claims that inevitably come up in these discussions. While I accept that there is likely a point that audible differences between lossy and lossless would be imperceptible, I've been hearing those claims for a long time (starting with "it's digital - it's cd quality'). When I was seriously interested in these things there most definitely was a noticeable difference. I was right about 128kbps. I'm confidant I was right about 256kbps. Maybe with 320kbps that's changed now, but I don't know as I haven't had a decent stereo for some time. I'm not about to be convinced by those blind test studies that people keep pointing to as objective and conclusive - they always make me think of that one where it was 'proved' that cheap wine is just as 'good' as expensive wine.
I'll stick to lossless when possible and compress to lossy when necessary. Can't go wrong like that!
Yes, I agree. I just think I better point out - for other readers - that my point was made for when people are unable to hear a difference even in blind tests. It was about a longer-term effect that is not part of the direct listening experience. Even if my memory was correct this effect would not change people's difficulty (or at some point, inability) in telling different sound sources apart.
I can't remember the term that was used, but I remember reading about audible frequencies possibly being affected by inaudible frequencies in ways that are perceptible to humans. So if you have two source files played using the same equipment with one including the inaudible frequencies then they will sound subtly different due to the interaction.
With the 'getting tired' while listening thing, I know just what you mean. Listening to music on a laptop for instance is a mentally draining experience for me. I've heard it explained like this: your brain knows what a piano sounds like and when it hears the poor imitation it is busy 'filling in the blanks'. Listening on good equipment is much more relaxing - as is listening to something that isn't 128kbps.
I don't claim to know that either of the above are true, but to me they are plausible.
I'm also a little sceptical of the 'lossless is no better than good lossy' claims that inevitably come up in these discussions. While I accept that there is likely a point that audible differences between lossy and lossless would be imperceptible, I've been hearing those claims for a long time (starting with "it's digital - it's cd quality'). When I was seriously interested in these things there most definitely was a noticeable difference. I was right about 128kbps. I'm confidant I was right about 256kbps. Maybe with 320kbps that's changed now, but I don't know as I haven't had a decent stereo for some time. I'm not about to be convinced by those blind test studies that people keep pointing to as objective and conclusive - they always make me think of that one where it was 'proved' that cheap wine is just as 'good' as expensive wine.
I'll stick to lossless when possible and compress to lossy when necessary. Can't go wrong like that!