> Where it shines is when you're editing photos or movies or viewing them in a window
Well it's a step closer but still not enough.
Most pro camera RAW files are 14-bit, though many drop down to 12 or 10 bit in high-speed capture modes.
There are already monitors that simulate 12-bit output from 10-bit input through internal LUTs but the internal pipeline has been stuck at 10-bit for over a decade. Though it was originally the domain of Quadro cards, it's now available from all discrete GPUs.
Technology is still lagging behind what cameras can create let alone what our eyes see.
Well it's a step closer but still not enough.
Most pro camera RAW files are 14-bit, though many drop down to 12 or 10 bit in high-speed capture modes.
There are already monitors that simulate 12-bit output from 10-bit input through internal LUTs but the internal pipeline has been stuck at 10-bit for over a decade. Though it was originally the domain of Quadro cards, it's now available from all discrete GPUs.
Technology is still lagging behind what cameras can create let alone what our eyes see.