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> Why would interest in technology negatively correlate with interest in art?

OP didnt write any such thing. I think you're reading too much into his comment.



Because of the world, I have to wonder are people really this overly sensitive, or just trolls looking to stir trouble?

However, this person seems very confused on what painting is. After their insensitivity accusations, they go on to claim that drawing on a iPad is equivalent to painting. That's like claiming someone plaing a golf game on iPad has insights on the skill of professional golfer.


"Because of the world, I have to wonder are people really this overly sensitive, or just trolls looking to stir trouble?"

Poor sentence building on my part, I get caught up on petty linguistics. No harm intended.

"However, this person seems very confused on what painting is. After their insensitivity accusations, they go on to claim that drawing on a iPad is equivalent to painting. That's like claiming someone plaing a golf game on iPad has insights on the skill of professional golfer."

No, really, modern digital tools are friggin awesome!

What I intended to convey that a person should really try painting once in their life, but they don't need to set up a studio with good lighting, get solvents and paints and brushes and so on.

I say this as a lifelong art enthusiast who loves his pens, charcoals, inks, acrylics and oils. And the IPad Pro with an Apple Pencil fits there actually really, really well. Similar experience can be had on a Wacom tablet and Photoshop, Clip Studio Paint, Krita or what ever program that takes into account artistic sensibilities in their tooling.

90% of the problematics constructing a painting can be investigated using a digital medium.

Oils bring in the pigments and their interaction with each other and medium, but that's kind of an added layer of complexity on top of the artistically critical elements - shape, color, detail reproduction and so on. Because when you paint, it's not an act of photography, but a process where one needs to decide on lots of these issues.

You can take what ever course or book that teaches oil painting, and apply it on a digital medium quite far.

The key tools are 1. a brush that maps pressure to size 2. a brush that maps pressure to opacity 3. a blend tool to blend the colors. Layers help in keeping things tight. It's really nice if the software attempts to provide realistic blending of colors, but it's not necessary - all of these have been available for decades on digital paint tools.

I totally agree a digital painting lacks the feeling of an actual oil painting, but the problematics are the same. As an example these include shape, tonal mapping from the scene to the canvas, choosing a palette, choosing which details to render and which not.


Digital painting is in many ways more convenient and easier than oil, but he's correct in that many of the fundamentals are quite the same.




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