Interesting that a "virtual speaker set" won over higher-order Ambisonics (representing incoming audio as spherical harmonics). I wonder if it just boils down to easier engineering.
Really? I've heard some pretty amazing demos of ambisonics even with just two speakers - things which completely blow away anything I hear through mainstream productions with 5.1 and 7.1
I find this curious, as you should in theory be able to map your 30 speakers to SH coeffs if you are using high-enough order SH (although 4th degree SH needs 25 coefficients so I guess there's not enough savings)